Tag - japanese-film

 
 

JAPANESE FILM

Japan Times
CULTURE / Film
Jul 25, 2013
Spirits linger in the trinkets of Hiroshima's dead
They say most people have one or more defining childhood incidents — something that sets the course of their adult life and molds their personality. Filmmaker Linda Hoaglund had one, and it was so striking that to this day she can still remember the flush on her face, the tingling of her skin and the...
Japan Times
CULTURE / Film
Jun 28, 2013
Documenting Japan's 'strange' election campaigns
A native of Tochigi Prefecture and a graduate of the University of Tokyo, where he majored in religious studies, Kazuhiro Soda took an early turn off a conventional career path when he went to New York in 1993 to study filmmaking at the School of Visual Arts. After a stab at fiction filmmaking, which...
Japan Times
CULTURE / Film
Jun 7, 2013
Screen violence is in the eye of the beholder
Some people avoid violent films, while others watch little else. Professional movie reviewers, who may see hundreds of films annually, cannot afford to be so picky. If you are covering the Cannes Film Festival competition, as I did one year for the Screen International daily critics' poll, you cannot...
Japan Times
CULTURE / Film
May 17, 2013
KAT-TUN star's knack for reinvention aids film role
Director Satoshi Miki's new comedy "Ore Ore (It's Me, it's Me)" is more on the cultish than the commercial end of the scale, with its head-scratcher of a story about a first-time scammer who starts encountering various versions of himself in a bizarre new world: karmic payback for impersonating a stranger...
Japan Times
CULTURE / Film
May 3, 2013
Yoshida's ode to a distant Okinawan island
Many directors hit everything from the books to the streets in preparation for their next film, but for his second feature, “Tabidachi no Shima Uta — Jugo no Haru (Leaving on the 15th Spring),” Yasuhiro Yoshida went far further than most.
Japan Times
CULTURE / Film
Apr 19, 2013
Ishikawa knows when to throw away the script
Japanese directors of TV dramas often make films that are basically big-screen versions of small-screen shows. No surprise, since their TV-network backers want product that will work equally well with multiplex audiences and home viewers.
Japan Times
CULTURE / Film
Apr 12, 2013
Funahashi: 'Good stories don't need happy endings'
A graduate of the University of Tokyo's cinema studies course, Atsushi Funahashi studied directing at the School of Visual Arts in New York and shot his first two films, “Echoes” (2002) and “Big River” (2005), in the United States.
Japan Times
CULTURE / Film
Mar 29, 2013
'Daijobu 3kumi (Nobody's Perfect)'
Teaching kids is usually not thought of as a physically taxing job, but take it from one who has done it: It is, especially in Japanese schools, where one teacher may have to deal with 40 bundles of not-always-well-behaved energy. I spent much of my class time at a Tokyo boys' high school in the 1980s...
Japan Times
CULTURE / Film
Mar 15, 2013
'Purachina Deta (Platinum Data)'
Why are so many Japanese sci-fi thrillers so sure our near-future rulers will try to tyrannize us, dehumanize us or, as in "Batoru Rowaiaru (Battle Royale)," make us slaughter each other, even when our only crime is possessing raging adolescent hormones? Given what I've seen of Tokyo's Kabutocho financial...
Japan Times
CULTURE / Film
Mar 8, 2013
'Arekara (Since Then)'
It's rare indeed that I ever wished a new Japanese film were longer — and I am not the only one. "This could be shorter by (name your number) minutes" is such a cliche of Japanese film reviewing and commentary that I inwardly groan every time I read or hear it; and yet more often than not, it's right....
Japan Times
CULTURE / Film
Mar 1, 2013
Fifth Okinawa fest celebrates community films
Since its start in 2009, the Okinawa International Movie Festival has been more than its name implies. It has the usual competition sections: one called Laugh for comedies and another called Peace for dramas, though not all the films fit neatly into these two bins. But it has also been a promo event...
Japan Times
CULTURE / Film
Mar 1, 2013
'Su-chan Mai-chan Sawako-san'
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JAPAN
Feb 28, 2013
AKB48 and director Nobuhiko Obayashi honor postquake efforts in Tohoku
Virtuoso movie director Nobuhiko Obayashi has created a film that pays homage to Tohoku's postdisaster recovery in an unusual collaboration with all-girl pop idol group AKB48.
Japan Times
CULTURE / Film
Feb 24, 2013
Recommended reading
Donald Richie was a scrupulous writer who paid finite attention to language and content. The following are 10 outstanding choices — titles that should be on any discerning readers' bookshelf.
Japan Times
LIFE
Feb 24, 2013
An inclined view: The life and work of Donald Richie
It was with a heavy heart that I heard from Donald Richie's longtime friend and editor Leza Lowitz that he had passed away on the morning of Tuesday, this week. He was 88.
Japan Times
LIFE
Feb 24, 2013
Sharing films with a master critic
Donald Richie was my friend and mentor for more than 20 years and my inspiration before that. When I was preparing to come to Japan for the first time in 1975, I read many books about the place, but Donald's masterpiece "The Inland Sea" was the one that entranced me. My first long trip after my arrival...
Japan Times
CULTURE / Film
Feb 22, 2013
'Yokomichi Yonosuke'
Plenty of Japanese directors make films about socially awkward or marginal guys: Given all the on-screen examples (as well as their many real-life inspirations), it seems that the onetime country of the samurai has become the land of the otaku and freeter (unemployed or underemployed), clasping to emotional...
Japan Times
CULTURE / Film
Feb 15, 2013
'Sado Tenpesuto'
Beginning with 2001's "Ichiban Utsukushi Natsu (Firefly Dreams)," a Yasujiro Ozu-esque drama about a friendship that develops between a rebellious teenage girl and an elderly former actress in the countryside, John Williams has been directing films in Japan with Japanese talent that do...
Japan Times
CULTURE / Film
Feb 15, 2013
'My film remixes "The Tempest" '
A Welshman who moved to Nagoya in 1988 and has been based in Japan ever since, John Williams is the rare foreigner who has worked in the Japanese film industry in not only the usual facilitator roles, as line producer and translator, but has also directed his own well-regarded films here. His first...
Japan Times
CULTURE / Film
Feb 8, 2013
'Kiiroi Zo'
Ryuichi Hiroki has become the go-to director for romantic dramas that quality-wise are a cut above the local formula weepers whose starred-crossed lovers are parted by a slow, beautiful death (though Hiroki's couples are hardly immune to life's vicissitudes). At the same time, his films in this genre...

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