Tag - 2018-in-review

 
 

2018 IN REVIEW

Japan Times
JAPAN / Media / BIG IN JAPAN
Dec 15, 2018
Namie Amuro tops Nikkei Marketing Journal's list of 2018's most popular products and services
Described in its choice for the year's yokozuna (grand champion) as dasa-kakoyosa — something that's behind the times, but cool nonetheless — entertainer Namie Amuro appeared at the top of the Nikkei Marketing Journal's 48th annual Hitto Shohin Banzuke (ranking of hit products) on Dec. 5.
Japan Times
CULTURE / TV & Streaming
Dec 13, 2018
Anime in 2018 saw serious cash but no surprise hits
What do a 24-year-old child detective, a group of seriously laid-back campers and anthropomorphic blood cells have in common? 2018, that's what.
Japan Times
CULTURE / Art
Dec 12, 2018
In 2018, art came via many anniversaries in Japan
This year saw a lot of anniversaries in Japan. It was 1868 when Crown Prince Mutsuhito became the Emperor Meiji, the official policy of national isolation ended and the country was set on a course to become a modern industrialized nation-state. This birthday seems like it could have been a great time...
Japan Times
LIFE / Style & Design
Dec 12, 2018
Shared spaces, locally produced goods and everyday objects
Making physical connections with people, whether via large-scale events and spaces or design concepts, and a continued celebration of traditional crafts, appeared to be a key direction for design in Japan this year.
Japan Times
CULTURE / Stage
Dec 11, 2018
2018 was the year in Japan that saw the stage sing, while contemporary drama barely made a squeak
Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in which they appeared. However, the contemporary drama scene in Japan has been unusually quiet this year in terms of new works and writers.
Japan Times
CULTURE / Stage
Dec 11, 2018
While ballet reigned supreme, a range of dance delighted fans in 2018
For a dance-loving country like Japan, every year brings delight in the variety of performances on offer, but the depth and breadth of 2018 on stage has been particularly grand for fans across a wide range of genres and movements.

Longform

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