With movies so ubiquitous it is easy to forget how fragile they are -- particularly Japanese movies. Even in a world where two-thirds of all silent cinema is lost (and perhaps a quarter of all sound films as well), the destruction of the Japanese cinema is extraordinary. Except for a few titles, there is nothing extant from the period of 1897 to 1917 and only somewhat more from 1918 to 1945. The 1923 earthquake, the 1945 fire-bombing of the major cities, the postwar Allied Occupation torching of banned films, and the later indifference of the industry itself have meant the destruction of 90 percent of all Japanese films made before 1945.
Occasionally something thought lost is recovered. An early Yasujiro Ozu film was found in mislabeled cans, the negative of a 1928 Teinosuke Kinugasa was discovered in a rice barrel, a third of Ito Daisuke's 1927 epic "Chuji's Travel Diary" ("Chuji tabinikki") was recovered; and in 1994 a complete copy of the big hit of 1930, "What Made her Do it?" ("Nani ga Kanajo wo Sosasetaka") was found in the Gosfilm archives in Moscow.
It is an account of this latter film and its discovery which concludes this interesting and valuable book about 50 of the better-known lost films. For almost all the entries the scenario and a few stills has survived . From these and from contemporary accounts, the movies are reconstructed and the reader gets at least some idea of what they might have been like.
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