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Matthew Larking
Japan Times
CULTURE / Art
Sep 11, 2009
Breaking fairy-tale conventions of beauty
Against the tradition of bijinga (beautiful women pictures) that runs through Japanese art, there is an antithetical stream that draws attention to a grotesque and timeworn femininity. In noh plays, the celebrated early 9th-century beauty of the Heian Era, Ono no Komachi, is sometimes portrayed after...
Japan Times
CULTURE / Art
Jul 10, 2009
Modern Kyoto
In 1895, Kyoto was badly in need of public relations. Kyoto's population was in decline, and traditional industries such as ceramics and textile manufacturing were in disarray. Since 794, the city had been the Imperial capital, until Edo was renamed Tokyo in 1868 and the seat of power transferred there....
Japan Times
CULTURE / Art
Jun 26, 2009
A re-imagining of Osaka's riverfront
"Tadao Ando Exhibition 2009: The City of Water/Osaka vs. Venice" seems like a fixed fight. Many would even balk at the idea of the match-up.
CULTURE / Art
Jun 5, 2009
Striving for a more simple life
The paintings in "The Naxi Lifeworld: Native Painters in Northwestern Yunnan" by Zhang Yunling (b. 1955) and Zhang Chunting (b. 1958) proffer a simple and honest way of life, steeped in the seasons, nostalgia, and the pictographic Dongba script of the Naxi people of China's Yunnan and Sichuan provinces....
Japan Times
CULTURE / Art
May 15, 2009
A new spirit for tea traditions
In the rarefied world of Japanese tea ceremony, innovations have often been greeted coolly. When the Japanese-American abstract sculptor Isamu Noguchi (1904-88) gave a tea kettle of his own making to the landscape designer and tea connoisseur Mirei Shigemori (1896-75), the recipient was baffled.
Japan Times
CULTURE / Art
Mar 20, 2009
So was Modernism Chinese?
A In his lifetime, artist Ding Yanyong was called both the "Oriental Matisse" and the "Modern Bada Shanren," after the Chinese individualist painter born Zhu Da (1629-1705). The combination of the epithets obviously reflects Ding's (1902-78) ability to straddle the East and West, but given a little historical...
MULTIMEDIA
Mar 20, 2009
So was Modernism Chinese?
A In his lifetime, artist Ding Yanyong was called both the "Oriental Matisse" and the "Modern Bada Shanren," after the Chinese individualist painter born Zhu Da (1629-1705). The combination of the epithets obviously reflects Ding's (1902-78) ability to straddle the East and West, but given a little historical...
Japan Times
CULTURE / Art
Feb 27, 2009
Linking video games to their visual history
Think of post-World War II popular culture in Japan as it relates to contemporary art, and you invariably arrive at Murakami Takashi and his Kaikai Kiki company/studio. But a new generation that draws from Japanese pop culture — and yet has no close connections to Murakami's art stable — has emerged...
Japan Times
CULTURE / Art
Feb 13, 2009
An abandoned history of Chinese influence
Edo Period (1603-1868) paintings from Osaka have been relatively neglected in comparison with paintings from Tokyo and Kyoto. A canonical list of works and a historical framework were written up in Tokyo in the 1890s in a series of influential lectures by scholar Okakura Tenshin, setting the directions...
Japan Times
CULTURE / Art
Feb 6, 2009
Western Japan's eclectic master
A matter of temperament was said to distinguish the two major regional centers of nihonga (Japanese-style painting), Tokyo and Kyoto, at the turn of the 20th century. Tokyo painters imbued their works with "brain" by way of complex content, while Kyoto artists held firm to their "brush" in a looser style...
Japan Times
CULTURE / Art
Jan 16, 2009
Looking back as Japan advanced
As a young student of realistic nihonga (Japanese-style painting), Kansetsu Hashimoto worked under the eminent teacher Seiho Takeuchi (1864-1942), a painter best known for his depictions of animals. But Hashimoto, distancing himself from the master and his subject material, later said that he "didn't...
Japan Times
CULTURE / Art
Jan 1, 2009
Words as images
On a single white sheet, the kanji for "snow" — yuki — printed in black, is repeated exactly 1,352 times in a symmetrical grid formation. A 1970 work by Niikuni Seiichi, "flowery snow" (1970) is at once calligraphy, poem and picture. In the Chinese literati tradition — which was influential on...
Japan Times
CULTURE / Art
Nov 27, 2008
Arts of enlightenment
The exhibition "National Treasures of Miidera Temple," presently at Osaka Municipal Museum of Art, tells a fractured story of the famed Tendai Buddhist temple that spread its influence across the regional temples of western Japan, from the establishment of a core of sacred imagery, staturary and mandalas...
Japan Times
CULTURE / Art
Nov 6, 2008
A place for women
Seian Shima's "Untitled" (1918), in "Women Artists in Osaka" at the Osaka City Museum of Modern Art till Dec. 7, is a remarkable work. A self-portrait — uncommon in Japanese painting generally — it conforms to no ideal form of beauty, unlike images done in the bijinga (beautiful woman pictures) genre....
Japan Times
CULTURE / Art
Oct 23, 2008
Craftsmanship and nationalism
'Utility" is conventionally held up as what separates crafts from art. But what practical purpose is served by the stained-glass panel by Christopher Whall, "Saint Agnes" (1901-10) in "Life and Art: Arts and Crafts from Morris to Mingei" at The National Museum of Modern Art, Kyoto? In truth, the Arts...
Japan Times
CULTURE / Art
Oct 16, 2008
A selection of cultural others
We are our own most keenest observers, whether it be in the bathroom mirror or in the department store window. But while the face is humankind's most distinctive feature, we are also remarkably poor at getting ourselves in perspective. When asked what size their face appears on the mirror surface, the...
Japan Times
CULTURE / Art
May 22, 2008
A screen as canvas
In 1965, pioneering video artist Nam June Paik made the bold statement that "just as the collage technic has replaced oil paint, the cathode ray tube will replace the canvas." Like any provocation, it has not aged well as the passage of time has whittled away at its importance.
CULTURE / Art
May 1, 2008
Chicks on Speed: Art Rules Kyoto 2008
The National Museum of Modern Art, Kyoto
Japan Times
CULTURE / Art
Apr 24, 2008
One hell of a time
What wasn't to like about an artist who painted the scroll "Hard Times in Hell," in which the king of Hell and his coterie of demons ascend to paradise in search of more suitable employment?
Japan Times
CULTURE / Art
Apr 17, 2008
A simulacrum of the city
'With love from . . ." — it's the kind of message an expatriate might pen. Implicit in it is the warmth in the offering, a written embrace.

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