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Mark Schilling
Japan Times
CULTURE / Film / Wide Angle
Jan 15, 2022
‘Drive My Car’ won a Golden Globe. Could it also pick up an Oscar?
“Drive My Car,” a film based on a short story by Haruki Murakami and directed by Ryusuke Hamaguchi, has garnered a long list of prizes since premiering last July at the Cannes Film Festival, where it won three awards, including best screenplay.
Japan Times
CULTURE / Film
Jan 13, 2022
‘Noise’: A web of lies imbued with style and pathos
Ryuichi Hiroki's film about three men entangled in a web of lies and murder to protect their island community is a departure from the director's usual romantic dramas and indie fare.
Japan Times
CULTURE / Film
Jan 9, 2022
‘Maniac Driver’: A retro ride with Eros and action
Kurando Mitsutake's thriller pays tribute to classic Italian 'giallo' sex-and-splatter flicks as well as the deranged characters from 'Blue Velvet' and 'Taxi Driver.
Japan Times
CULTURE / Film
Jan 1, 2022
‘The End of the Pale Hour’: Love at first sight can be blinding
Takumi Kitamura stands out as one half of an unnamed couple in Hana Matsumoto's drama, which follows a typical movie romance arc until a cleverly devised twist changes everything.
Japan Times
CULTURE / Film
Dec 30, 2021
‘Red Post on Escher Street’: Sion Sono lets loose in his ode to cinema
Shot in eight days with students from his acting workshop, Sion Sono's madcap drama features standout performances by up-and-coming actors.
Japan Times
CULTURE / Film
Dec 16, 2021
‘Struggling Man’: Average Joe doesn’t quite move the needle
Toshio Lee's comedy about a company man who genuinely cares about those around him while harboring insecurities about his work and home life mostly deals in broad humor and cliches.
Japan Times
CULTURE / Film
Dec 10, 2021
2021 saw breakthrough talents in film rise from the shadows
Ryusuke Hamaguchi's two releases shone abroad, Keisuke Yoshida was honored with a Director in Focus section at home and younger filmmakers blazed new paths.
Japan Times
CULTURE / Film
Dec 9, 2021
‘Wheel of Fortune and Fantasy’: A triptych on life and love well worth a spin
Ryusuke Hamaguchi's three-part anthology, which centers on three women whose lives are changed by chance, solidifies his reputation as a director of rare talent and ambition.
Japan Times
CULTURE / Film
Dec 2, 2021
‘Ruined’: Fury fuels a mission for retribution
Minori Hagiwara gives a compelling performance as a young woman who returns to her hometown to get answers and revenge in Taro Miyaoka's “Ruined.”
Japan Times
CULTURE / Books
Nov 26, 2021
A look behind the scenes with Godzilla, the ‘king of monsters’
Norman England's new book, 'Behind the Kaiju Curtain,' gives an insider's take on Japan's kaiju016b craftsmanship and monster movie-making.
Japan Times
CULTURE / Film
Nov 25, 2021
‘Spaghetti Code Love’: Disaffected Tokyoites don’t have much to say
Takeshi Murayama's stylish first feature about somewhat intertwining lives in Tokyo looks like a slick music video, but its characters are mostly two-dimensional.
Japan Times
CULTURE / Film
Nov 18, 2021
‘Come and Go’: A hearty serving from Osaka’s multicultural melting pot
With “Come and Go,” which explores life in Osaka through a kaleidoscope of perspectives, director Lim Kah Wai shows how Japan's population is not as homogenous as many believe.
Japan Times
CULTURE / Film
Nov 18, 2021
Lim Kah Wai creates an intricate mosaic of Osakans in ‘Come and Go’
Director Lim Kah Wai's final installment of his Osaka trilogy is a compelling ensemble drama that reflects the diversity of nationalities and lifestyles that coexist in the city.
Japan Times
CULTURE / Film
Nov 11, 2021
‘We Couldn't Become Adults’: A loving look back at brighter days
Yoshihiro Mori's film about broken dreams and lost love meticulously recreates Tokyo as it was in the 1990s, and its two leads deliver finely nuanced performances.
Japan Times
CULTURE / Film
Nov 4, 2021
‘Dancing Mary’: No love lost for this spooky fantasy
Naoto Kataoka of pop group Exile takes on his first leading role in Sabu's ghostly rom-com/actioner, but the film's mix of genre elements doesn't quite gel.
Japan Times
CULTURE / Film
Oct 28, 2021
‘She is Alone’: Traumas of relationships past come a-haunting
Natsuki Nakagawa's first feature focuses on two mirroring student-teacher love affairs and edges on the melodramatic while being anchored by strong performances from its leads.
Japan Times
CULTURE / Film
Oct 22, 2021
TIFF ambassador Ai Hashimoto wants a cinema comeback
The in-demand veteran actress will serve as ambassador at Tokyo International Film Festival's 34th iteration.
Japan Times
CULTURE / Film
Oct 21, 2021
‘Skeleton Flowers’: A quiet drama of honesty and growth
In Rikiya Imaizumi's latest film, newcomer Sara Shida gives a centered performance as an artsy teen coming to terms with her father's new relationship and her mother's reappearance.
Japan Times
CULTURE / Film
Oct 15, 2021
Sion Sono brings his brand of dystopia to Hollywood in ‘Prisoners of the Ghostland’
A director known for flouting convention, Sion Sono makes his Hollywood debut with “Prisoners of the Ghostland,” starring Nicolas Cage.
Japan Times
CULTURE / Film
Oct 7, 2021
French director Arthur Harari delves into the paranoid mind in 'Onoda'
French director Arthur Harari's biopic delves deep into the inner life of the Japanese soldier who refused to surrender for decades after the war.

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