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Mark Schilling
Japan Times
CULTURE / Film
Jan 1, 2009
The battle for 2009's box office starts here
The Japanese film industry — particularly at the top, where Toho and the TV networks dwell — had a terrific 2008. Boosted by Hayao Miyazaki's animation "Gake no Ue no Ponyo" ("Ponyo on the Cliff by the Sea"), which earned a splendiferous ¥15 billion, Toho passed the ¥70-billion box-office mark...
Japan Times
CULTURE / Film
Dec 26, 2008
'Tokyo Joe: Mafia o Utta Otoko'
The yakuza, Japan's homegrown mobsters, are favorites of local filmmakers but not documentarians, for reasons entirely understandable. A documentary that seeks to delve into the inner workings of the Yamaguchi-gumi might find an audience, but the hurdles to making it, such as scouting subjects willing...
Japan Times
CULTURE / Film
Dec 26, 2008
Top movies of 2008
In carefully ordered rankings for Japanese films and no particular order for the rest, we bring you the best films of a year that is steadily drawing its curtains closed.
Japan Times
CULTURE / Film
Dec 25, 2008
Dueling with a rare Japanese superhero
Japanese pop culture, by and large, doesn't do human superheroes. Super-powered robots (Atom Boy, aka Tetsuwan Atom), monsters (Godzilla) and aliens (Ultraman) exist in abundance, but it's harder to find the local equivalents to Spider-Man or Batman, especially on the big screen.
Japan Times
CULTURE / Film
Dec 19, 2008
'Nonko 36-sai (Kaji Tetsudai)'
As if forecasting the current recession, more Japanese films about life's losers are hitting the screens now.
Japan Times
CULTURE / Film
Dec 12, 2008
'Akumu Tantei 2'
Shinya Tsukamoto's crazed, bizarre, utterly original early films, beginning with "Tetsuo" (1989), which won him a devoted cult following abroad. In the Japanese film industry, though, he was regarded as a pariah.
Japan Times
CULTURE / Film
Dec 5, 2008
'Kill'
Mamoru Oshii is a world-class animation director, but his films, from the 1995 dystopian SF "Ghost In the Shell" to this year's air-war epic "The Sky Crawlers," are not for the masses. Instead they often explore heavyweight themes that appeal to anime otaku (ultrafans), from the dissolving boundaries...
Japan Times
CULTURE / Film
Dec 4, 2008
An audience with Miyazaki, Japan's animation king
Hayao Miyazaki says he doesn't like giving interviews, but the Oscar-winning, megahit-making animator has strong opinions he isn't shy about sharing, as a packed room of reporters learned when he appeared at the Foreign Correspondents Club in Tokyo on Nov. 20.
Japan Times
CULTURE / Film
Nov 28, 2008
'252 — Seizonsha Ari'
Disaster pics have been big in Japan since the days of "Godzilla," the 1954 classic whose title monster served as a rubber-suited symbol for everything from earthquakes (that stomp) and fires (that breath) to atomic bombings (that city-wrecking power).
Japan Times
CULTURE / Film
Nov 21, 2008
'Watashi wa Kai ni Naritai'
Based on a novel by Tetsutaro Kato, the 1958 TV drama "Watashi wa Kai ni Naritai" ("I Want to Be a Seashell") became a paradigm-shifting hit when it was broadcast on KRT Television, the predecessor to the TBS network.
Japan Times
CULTURE / Film
Nov 14, 2008
'Happy Flight'
Films that purport to go behind the scenes of an industry or institution — with the enthusiastic support of the folks they are supposedly unmasking — are almost by definition PR exercises if not outright recruiting tools.
Japan Times
CULTURE / Film
Nov 7, 2008
'Sakura no Sono'
In 1990, Shun Nakahara — a religion-studies major at the University of Tokyo who later became a porno director — released his first straight feature, "Sakura no Sono" ("The Cherry Orchard"). Based on an Akimi Yoshida manga, the film described the day a drama club at an exclusive girls' school stages...
Japan Times
CULTURE / Film
Oct 31, 2008
'Homeless Chugakusei'
The homeless in Japan are mostly older men down on their luck, sleeping on cardboard in train stations or under blue tarps in public parks. Some are mentally disturbed or chronically ill, but their image in popular culture is surprisingly positive — ranging from the lovable loser to the ragged sage....
Japan Times
CULTURE / Film
Oct 30, 2008
Digging deep to find the sparkle in Japanese Eyes
Japan's film industry releases more than 400 films a year, but only 10 screened in the Japanese Eyes section of this year's Tokyo International Film Festival, which ran from Oct. 18 to 26.
CULTURE / Film
Oct 24, 2008
In the director's chair at 90
Born in Tokyo in 1918, Takeo Kimura debuted as an art director in 1945. In the six decades since, he has worked on more than 230 films. His most famous association is with Seijun Suzuki during his 1960s peak at the Nikkatsu studio, when he made 1966's "Tokyo Nagaremono (Tokyo Drifter)" and the next year's...
Japan Times
CULTURE / Film
Oct 24, 2008
'Yume no Mani Mani'
Art directors are known as below-the-line talent in the movie business. That is, they are considered a rank below the director, producer and scriptwriter on the production pecking order, and they are paid accordingly.
Japan Times
CULTURE / Film
Oct 17, 2008
'Makiguri no Ana'
Japanese horror once struck a lot of fans in the West as fresh because it was less about fantastical creatures — say, flesh-eating zombies — than everyday dread. Instead of popping up out of nowhere, fear crept up like sinister fog from apparently mundane places and things — a moldy apartment,...
Japan Times
CULTURE / Film
Oct 10, 2008
'Shiawase no Kaori'
Here's an obvious but often neglected rule: Never see foodie movies — films that revolve around the preparation and consumption of scrumptious-looking food — on an empty stomach. Watching Gabriel Axel's Oscar-winning Danish movie "Babette's Feast" (1987) — the "Citizen Kane" of foodie movies —...
Japan Times
CULTURE / Film
Oct 3, 2008
'Achilles to Kame'
Zeno's paradoxes are ancient mind games that undermine common-sense assumptions about reality. In the most famous, "Achilles and the Tortoise," a fast runner and a tortoise start at the same time toward the same goal, the tortoise with a head start — say it must cover 10 meters while the runner must...
Japan Times
CULTURE / Film
Sep 26, 2008
'Tokyo Sonata'
Kiyoshi Kurosawa has long been filed under "horror director," though his take on the genre is anything but standard. The villain of "Cure," his deeply creepy 1997 breakout film, is not a maniac with a sharp-edged weapon but a blank-faced drifter who hypnotizes his victims into killing themselves.

Longform

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