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Mark Schilling
Japan Times
CULTURE / Film
Oct 28, 2011
'Sumagura (Smuggler)'
Katsuhito Ishii was an early avatar of Japanese quirk, making films that celebrated the wilder, goofier side of the local pop culture while flouting the conventions of commercial cinema, including at least a veneer of sanity.
LIFE / Language / BILINGUAL
Oct 24, 2011
Foreign films' Japanese titles often read like riddles
Japanese distributors of foreign films usually follow the path of least resistance in titling their products for the local market, either rendering the title in katakana or translating it more or less directly. One recently released example is the shocker "The Last Exorcism," whose katakana-ized Japanese...
Japan Times
CULTURE / Film
Oct 21, 2011
Now's your chance to catch up on Japanese cinema
Non-Japanese residents in Tokyo who want to see new and classic Japanese films but are frustrated by the small number of subtitled screenings can catch up — and move ahead — at the Tokyo International Film Festival (Oct. 22-30).
Japan Times
CULTURE / Film
Oct 14, 2011
'Ichimei (Hara-kiri: Death of a Samurai)'
The samurai movie has a great and glorious tradition, but Japanese directors have long been of two minds about the samurai themselves. For every "Chushingura" remake that celebrates the samurai ethos of loyalty and self-sacrifice, there is a genre masterpiece that questions it.
Japan Times
CULTURE / Film
Oct 7, 2011
'Tsure ga Utsu ni Narimashite (My S.O. Has Depression)'
Here's a confession: I'm not a big reader of manga, including the many that have been made into Japanese films. Given the limited amount of reading time I have left on Earth, I'd rather spend it with Proust than "Gantz." So sue me.
Japan Times
CULTURE / Film
Sep 30, 2011
'Hayabusa'
When Hayabusa, a Japanese satellite sent to collect soil samples from a distant asteroid, returned safely to Earth in June 2010, many Japanese felt an excitement and pride more akin to a World Cup win than an event that, abroad, was a one-day news story to all but space geeks.
Japan Times
CULTURE / Film
Sep 23, 2011
'Kazoku X (Household X)'
The recent spate of Japanese family dramas by Kiyoshi Kurosawa, Hirokazu Koreeda, Shinya Tsukamoto, Yuya Ishii and other indie directors has produced much outstanding work, but the on-screen alienation can be depressing, to be honest. The housewives (almost never career women) in these films live especially...
Japan Times
CULTURE / Film
Sep 23, 2011
Actress Kaho Minami on speaking without words
Kaho Minami has had a busy and varied career as an actress since her 1985 debut in Kohei Oguri's "Kayako no Tameni" ("For Kayoko"). In addition to appearing in everything from commercial hits (Takashi Miike's "Yokai Daisenso [The Great Yokai War]," 2005) to films with leading indie directors (Jun Ichikawa,...
Japan Times
CULTURE / Film
Sep 16, 2011
A decent fright flick, but shame about the 3-D
Once considered a fad consigned to the dustbin of Hollywood history, 3-D now looks about as likely to fade away as color and sound. It's waning with the box-office failure of crappy conversions from 2-D, yes, but the six 3-D films that have grossed $1 billion or more worldwide suggest that the mass audience...
Japan Times
CULTURE / Film
Sep 2, 2011
'Hanezu no Tsuki (Hanezu)'
Naomi Kawase is the most lyrical of Japanese directors now working. As both a documentarian and a feature filmmaker, she discovers in the common materials of everyday existence — sun, wind, water, trees, insects, people — a beauty and transcendence that is always present, seldom noticed. Set mostly...
Japan Times
CULTURE / Film
Aug 26, 2011
Young souls a sacrifice too far for fictional wartime officers
The conventional Japanese World War II movie is something of a paradox. Usually set in the war's closing days and after (I've heard Emperor Showa's surrender statement so many times now I could recite it in my sleep), with a pacifist message implicit or explicit, it nonetheless celebrates traditional...
Japan Times
CULTURE / Film
Aug 19, 2011
'Usagi Doroppu (Bunny Drop)'
Movies about single guys who become suddenly burdened with the responsibilities of parenthood, whether from Hollywood ("Three Men and a Baby") or Japan (the underrated "Yukai Rapusodi [Accidental Kidnapper]"), follow a pattern set in stone: After rising to various patience- and character-testing occasions,...
Japan Times
CULTURE / Film
Aug 12, 2011
'Ichimai no Hagaki (Post Card)'
Kaneto Shindo is, at 99, the oldest film director in Japan and, after Portugal's centenarian Manoel de Oliveira, the world. As a scriptwriter active since the 1930s, he has worked on many commercial films, but as a director, starting in 1951 with "Aisai Monogatari (Story of a Beloved Wife)," he has taken...
Japan Times
CULTURE / Film
Aug 5, 2011
'Reikai no Tobira Sutorito Byu (Gate to Another World: Street View)' / '2channeru no Noroi Gekijoban (Curse of 2channel, The Movie)'
Every August, Japanese horror films appear in theaters here, cashing in on the traditional belief that chills from scary stories help beat the summer heat. And every August, critics lament that they don't match up to the products of J-horror's glory years — the late 1990s to early 2000s.
Japan Times
CULTURE / Film
Jul 29, 2011
'Tokyo Ningen Kigeki (Human Comedy in Tokyo)'
Koji Fukada's 2010 black comedy, "Kantai (Hospitalité)," about a smiling stranger who wanders into the lives of a middle-class family and wreaks havoc, has a lot of invention and charm, despite the slightly silly conga-line climax. Deserved winner of the Best Picture Award in the Japanese Eyes section...
CULTURE / Film
Jul 22, 2011
From Up on Poppy Hill (Japan. title: Kokuriko-zaka Kara)
Director: Goro Miyazaki
Japan Times
CULTURE / Film
Jul 15, 2011
'Peace'
Most serious documentaries made in Japan, especially for television, follow a basic just-the-facts format. A presenter or narrator and various talking heads explain and interpret what we are seeing, from beauty shots of tourist spots to footage grabbed on the run in a war zone. Meanwhile, in the background,...
Japan Times
CULTURE / Film
Jul 8, 2011
'Fuyu no Kemono (Love Addiction)'
The once-thriving Japanese indie scene is in trouble , nearly everyone who has anything to do with it agrees: Its core young audience has been seduced by the dubious delights of the multiplex, while the "mini theaters" (art houses) and small distributors that could once count on the occasional indie...
Japan Times
CULTURE / Film
Jul 1, 2011
'Ogawa no Hotori (On the Bank of the Stream)'
When I saw Yoji Yamada's "Tasogare Seibei (The Twilight Samurai)," a lyrical, low-key 2002 drama about a low-ranking, family-loving samurai forced to kill for his clan, it struck me as a throwback to the genre's 1950s Golden Age. But this, I later discovered, was the first feature based on the fiction...
Japan Times
CULTURE / Film
Jun 24, 2011
'Tokyo Koen (Tokyo Park)'
Shinji Aoyama might be described as a Japanese arthouse version of Quentin Tarantino: A smart, dedicated cinephile who works his influences into his films while experimenting with various genres, from the gangster film ("Chinpira," 1996) to mystery ("Lakeside Murder Case," 2004). But whereas Tarantino's...

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