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Verena Dauerer
Japan Times
COMMUNITY / Our Lives / 20 QUESTIONS
Apr 25, 2020
Klaus Petersen: A robotics CEO with business sense
Engineer and CEO Klaus Petersen on what got him into robotics, the challenges of running a small business in Japan and how he defies expectations.
Japan Times
COMMUNITY / Our Lives / WHY DID YOU LEAVE JAPAN?
Dec 14, 2019
Qanta Shimizu: Beating the Bassdrum of tech direction in the U.S.
The diversity of New York could help overlooked Japanese technical directors get the work and recognition they deserve.
Japan Times
COMMUNITY / Our Lives / WHY DID YOU LEAVE JAPAN?
Oct 5, 2019
Popra Nakayama: Diversity works in the U.S.
Not satisfied with just one genre of performance, Popra Nakayama finds the U.S. a great place to branch out into singing, dancing and even martial-arts action film acting.
Japan Times
COMMUNITY / Our Lives / WHY DID YOU LEAVE JAPAN?
Mar 9, 2019
Ryoichi Kurokawa: The electronic artist's code
A self-taught multi-disciplinary artist merging art and electronic music, Ryoichi Kurokawa reconstructs the nature he grew up with software code.
Japan Times
COMMUNITY / Our Lives / WHY DID YOU LEAVE JAPAN?
Dec 8, 2018
Machiko Yamashita: A Japanese breadwinner in Berlin
Former art historian and butoh dancer Machiko Yamashita brings Japanese bread buns to Berliners.
Japan Times
COMMUNITY / Our Lives / WHY DID YOU LEAVE JAPAN?
Apr 14, 2018
Ryoko Hori: The art of massage and crafts
Born and raised in Osaka, Ryoko Hori, 37, moved to Tokyo to study fashion design at the age of 18. As a student she was lucky enough to work for the famous clothing brand Issey Miyake, but she wanted even more experiences in life. She had never been abroad, so after her graduation in 2003, she decided...
Japan Times
COMMUNITY / Our Lives / WHY DID YOU LEAVE JAPAN?
Aug 5, 2017
Zen monk Seigaku: A life with less can be so much more
Japanese monk Seigaku lives a Zen life with as little money as possible in Berlin.
Japan Times
LIFE / Style & Design
Dec 6, 2014
Code + culture: new media art from Japan
Domestic media artists have been using programming code in recent years to create some astonishing works of art. We look back at how this scene developed over the years and examine four contemporary artists who have defined the way the genre has evolved.
Japan Times
CULTURE / Art
Jun 16, 2011
JR puts on a show of faces for public causes
When French photographer-turned-street artist JR visited Tokyo in May, he commented, "I love the vibe here but I don't see enough art in the street." His latest project, "Inside Out," may lead the way to help change this.
Japan Times
CULTURE / Art
Feb 4, 2011
'Film Without Film'
Vacant
Japan Times
LIFE / Digital
Jan 19, 2011
Hackers worldwide Kinect with their creative sides
When Kinect, Microsoft's latest add-on for the Xbox 360 game console, was released worldwide in November 2010, it was the beginning of a success story, but not in the way Microsoft may have been expecting.
Japan Times
LIFE / Lifestyle
Dec 30, 2010
Mad knitters take to Tokyo's streets
This November, people strolling through a park in Ebisu, Tokyo, were baffled: Several benches there had been covered with colorful knitwear, many wildly curling around the wooden poles of backrests and armrests. Next to the benches, more wondrous knitted entities were hanging from the branches of a tree....
Japan Times
LIFE / Digital
Dec 8, 2010
A relationship with the city
I magine you live in a house that communicates with you through an interface resembling the futuristic info-graphics in the science-fiction movie "Minority Report" — where actor Tom Cruise interacted with icons on an holographic touch screen. For example, a kitchen appliance, such as your fridge, displays...
LIFE / Digital
Aug 25, 2010
Twitter delivers creative way for ad agencies to play
While Twitter itself is still struggling to find a profitable business plan, Japanese ad agencies have quickly embraced the micro-blogging service to create innovative campaigns.
Japan Times
CULTURE / Art
Jul 30, 2010
Making 'BioArt' a cultural practice
At this year's Society for Social Studies Conference at the University of Tokyo, Aug. 25-29, there will be a session on "BioArt," which begs the question: What would that be?

Longform

Construction takes place on the Takanawa Gateway Convention Center in Tokyo, slated to open in 2025.
A boom for business tourism in Japan?